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Movie Review: Romancing in Thin Air

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Figure 1: Romancing in Thin Air This movie is a 2012 Hong Kong-Chinese contemporary romantic drama film directed by Johnnie To.  The  theory that applied in "Romancing in Thin Air" is cognitive film theory. This film theory is focuses on the viewer’s perception of visual and sound information. It is also focuses on the ways that viewers organize and categorize these perceptions in order to derive meaning from a film. According to Bordwell, Cognitive holds that people's perceptions, feelings, and action result in significant part from processes which go beyond the input to the senses.   Figure 2: Romancing in Thin Air scene Audiences can understand this movie directly with the the film begins very slowly, allowing its audience time to adjust from the media frenzy of Michael's (Louis Koo) public humiliation to the quiet serenity of Shangri-La. Besides that, using numerous lengthy wide angle shots to take in the beautiful surroundings, at the same time...
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Movie Review: Passenger

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Passenger's movie scene.      I see that the woman in this image is more active than the male. It is showing a male fantasy element. The man in this image will feel that he is wanted by this woman. According to the Mulvey’s theory, skopophilia can be applied in this image because both of them are looking each other as an erotic object, seen both of them arouse sexual desire. In other way, in the modern day, women are more active than the men. Not only that, exhibitionism in Mulvey’s theory also can be applied in this image, this is because the woman is crawling and exposing herself to the man and her action also showing that she wants something from the man. Besides, the man’s action is also showing that let the woman take the initiative to him. It is also showing that the male gaze and female gaze is different in this image, this is because the man in this image is doing the looking, he is only looking at the woman and waiting for the woman to go to his side. I thi...
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Literature Review: The Work of Art in the Age of Mechanical Reproduction

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The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin Walter Benjamin is a German Marxist literacy critic. Walter Benjamin's importance as a philosopher and critical theorist can be gauged by the diversity of his intellectual influence and the continuing productivity of his thought (Osborne & Charles, 2015). In Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction", He discusses a shift in perception and its affects in the wake of the advent of film and photography in the twentieth century (Ginal, 2008). This essays attempts to describe the changed experience of art in the modern world and sees the rise of Fascism and mass society as the culmination of a process of debasement, whereby art ceases to be a means of instruction and becomes instead a mere gratification, a matter of taste alone (Marxists. org, n.d). Mechanical reproduction of a work of art, however, represents something new.  In Benjamin's essay "T...
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